1 10 12 https://arani.co.in/files/original/9a3daf5945317914ebc161c675b6bedd.jpg b8acf4455a669ca8aa907be6044a3525 https://arani.co.in/files/original/bf740463ba29ea2acefc90551831cefa.jpg 1bcc85400f24b570514403f7df37cd4e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <h1>The family legacy</h1> Person An individual. Birth Date 1904 Occupation An illustrious sarod maestro, a pioneering architect of Indian orchestral music, a visionary music director—such epithets, though grand, still fall short of capturing the vast and nuanced brilliance of Timir Baran. His artistic genius transcended conventional boundaries, blending classical depth with cinematic innovation in ways far ahead of his time. To merely label him with accolades is to overlook the immensity of his contribution. Perhaps the most fitting tribute is to remember him as a Music Legend—a titan of Indian music whose legacy, though now faded into undeserved obscurity, continues to resonate with those who seek its echoes. Biographical Text Timir Baran’s journey into the world of music began almost as soon as he took his first steps. From a very young age, he exhibited a rare and intuitive musicality that would later be nurtured under the profound mentorship of the legendary Ustad Allaudin Khan of Maihar. Under the tutelage of this great guru—a towering figure in Indian classical music—Timir Baran evolved into a virtuoso sarod player, earning admiration from maestros and connoisseurs alike. Among those who acknowledged his brilliance was his illustrious gurubhai, Pandit Ravi Shankar. Timir Baran’s sarod resonated with a lyrical intensity that captivated audiences across India. His music left an indelible impression on cultural giants such as Rabindranath Tagore and Mahatma Gandhi—luminaries who recognized in him the voice of a deeply rooted and spiritually elevated musical tradition. However, his artistic pursuits were not limited to performance alone. Inspired by the innovative spirit of his guru Baba Allaudin—particularly his pioneering orchestral experiments—Timir Baran set out on an ambitious and lifelong quest: to craft a truly Indian symphonic orchestra. This became his enduring passion, a vision that consumed his creative energies until his final days. A pivotal chapter in his life unfolded when he joined forces with the trailblazing dancer Uday Shankar. At that time, Shankar's work, though revolutionary in movement, lacked a musical identity that was fully steeped in the idioms of Indian classical traditions. Timir Baran’s arrival changed that. With his deep understanding of ragas and talas, and his uncanny ability to blend them into dramatic, evocative compositions, he infused Uday Shankar’s performances with a soul-stirring soundscape that was unmistakably Indian in spirit yet global in appeal. Their collaboration marked a turning point in the evolution of Indian performing arts. Music and dance, under their combined genius, became inseparable halves of a greater whole—each enhancing and elevating the other. Together, they mesmerized audiences across the globe, garnering accolades and opening new frontiers for Indian classical expression on the world stage. Timir Baran’s legacy is not only that of a brilliant sarod player but also of a visionary composer who dreamed of harmonizing the vast emotional and rhythmic wealth of Indian music into orchestral grandeur. His music remains a timeless testament to that dream. Bibliography In a letter dated 3rd March, Uday Shankar wrote with evident pride, “My first performances concluded with success... I am proud to see that the music is appreciated even more than my dance. The entire orchestration and musical arrangement for the dance has been composed by Timir Baran. He truly deserves all the credit.” This acknowledgement not only reflects Uday Shankar’s humility but also highlights the genius of Timir Baran, whose role in shaping the musical dimension of modern Indian dance was nothing short of revolutionary. As the dance troupe travelled across continents, staging performances that captivated global audiences, Timir Baran continued to craft exquisite musical compositions. Remarkably, he built entire orchestras using only Indian instruments—eschewing Western instrumentation altogether—yet producing a soundscape that was rich, layered, and entirely novel to the international ear. Among his many celebrated works, one that stands out is the symphonic composition Shishu Tirtha, inspired by Rabindranath Tagore’s poignant poem “The Child.” Composed in 1936, this musical masterpiece resonated deeply with audiences and became a sensation. It is believed that Tagore himself was aware of this tribute and appreciated it wholeheartedly. Timir Baran’s brilliance shone early. As part of Uday Shankar’s European tour in 1931, he enthralled French audiences with his mesmerizing orchestral arrangements. These compositions, though rooted in Indian tradition, were forward-looking and avant-garde—bridging the cultural gap between East and West without compromising authenticity. Timir Baran remains an unsung pioneer who expanded the scope of Indian music in global consciousness, not just through innovation but through an unshakable belief in the emotive power of indigenous sound. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timir Baran: Resonance Beyond Time Description An account of the resource This digital archive celebrates the life and legacy of Timir Baran, the visionary sarod maestro and pioneering architect of Indian orchestral music. A disciple of Ustad Allauddin Khan and a creative force behind Uday Shankar’s revolutionary performances, Timir Baran transcended the boundaries of tradition—fusing classical depth with cinematic and symphonic innovation. From global stages to the heart of India’s musical evolution, his contributions redefined the possibilities of sound. Explore rare photographs, writings, compositions, and tributes that bring to light the enduring brilliance of a genius too often forgotten, yet forever echoing in the soul of Indian music. https://arani.co.in/files/original/3d65861a207bd861ed278d311dd2f4f6.jpg c9a644515b81c16f158c5ba85249ec28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pt. Indranil Bhattacharya https://arani.co.in/files/original/def9165b26e255dcd558c4c383acc0e9.jpg 7ef389af1592f13ba24b26d69feaf3a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pt. Ravi Shankar & Pt. Indranil bhattacharya Subject The topic of the resource Pt. Ravi Shankar, as a visiting professor in Santiniketan, catching up on a musical note with Pt. Indranil Bhattacharya. Both the legends were deeply connected as they belonged to the same gharaṇā, under the tutelage of Ustd Allauddin Khan, founder of Maihar Gharana. They performed duets on three occassions that created a history in the field of Indian Classical Music. https://arani.co.in/files/original/5f304bcb2e23427aa6ea0215c42fcea7.jpg d34d907a063f15d4dac0e042901ba890 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pt Ravi Shankar & Pt. Indranil Bhattacharya in Santiniketan. https://arani.co.in/files/original/06ee43fa4f0b9519f1c038f3b5235662.jpg 752d01a3556d8b77be5562f55195b63e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pt. Indranil Bhattacharya with Padma Shri awardee Pt. Swapan Chowdhury on tabla. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource <h1>The family legacy</h1> Person An individual. Birth Date 16th April 1936 Death Date September 2001 Biographical Text Born in Kolkata into a family steeped in musical brilliance, Indranil Bhattacharya carried the weight and wonder of a rare legacy. His lineage sparkled with the genius of legendary artists—he was the son of the iconic Timir Baran, affectionately and reverently remembered as the Father of the Indian Orchestra. Tracing his ancestral roots further, Indranil was a descendant of Jadu Bhatta, the eminent figure of the Bishnupur Gharana, whose influence shaped generations of Indian classical music. Indranil’s initiation into the world of the sitar began under the loving guidance of his cousin, the Late Amiya Kanti Bhattacharya, a distinguished disciple of Ustad Enayet Khan Sahib, one of the foremost sitar exponents of his time. But his true calling would take him further, to the hallowed city of Maihar, where he came under the tutelage of none other than the legendary Ustad Allauddin Khan Sahib, the towering figure behind the Senia Maihar Gharana and the guru to an entire generation of musical revolutionaries. What followed was a remarkable musical journey spanning more than four decades—a journey that took Indranil from the quiet riyaaz rooms of India to grand stages around the world. His music—rooted in discipline, refined by years of dedicated practice, and uplifted by his profound sense of aesthetics—transcended borders and languages. His command over raag and raagini was not just technical mastery; it was a spiritual offering that left audiences spellbound. As the foremost torchbearer of the Senia Maihar Gharana, Indranil became a bridge between tradition and modernity, heritage and innovation. Bibliography In the later chapters of his life, Indranil chose the serene environs of Santiniketan, the artistic sanctuary envisioned by Gurudev Rabindranath Tagore, as his home. Here, amid the tranquil groves and red earth, he found his true calling as a teacher, mentor, and guru. At Sangeet Bhavan, the music faculty of Visva-Bharati University, he rose to become the senior-most professor of music and even served as the Acting Vice Chancellor, guiding not only notes and rhythms but also the future of music education. His disciples, many of whom are now acclaimed artists in their own right, carry forward his teachings—a testament to the depth and breadth of his influence. Through them, his voice still echoes, his strings still vibrate. When Indranil departed this world, he left behind more than memories—he left behind a living legacy. Arani, established in his honour, stands as a tribute to his life and his music. For over 18 years, Arani has been a beacon for the preservation, propagation, and celebration of Hindustani Classical Music, ensuring that the flame he lit continues to burn bright. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indranil Bhattacharya: A Life Etched in Melody Description An account of the resource A distinguished sitar maestro and devoted custodian of the Senia Maihar Gharana, Indranil Bhattacharya was born into a lineage of musical legends. Son of Timir Baran, the celebrated 'Father of the Indian Orchestra', and descendant of Jadu Bhatta of the Bishnupur Gharana, Indranil’s artistry was both inherited and earned. Trained under Ustad Allauddin Khan Sahib at Maihar, he rose to global acclaim for his spiritually charged performances and deep mastery of raag and raagini. Later, as a revered guru and senior professor at Visva-Bharati University, Santiniketan, he shaped a new generation of classical musicians. His legacy lives on through Arani, an institution founded in his memory, dedicated to preserving and celebrating the spirit of Hindustani Classical Music. https://arani.co.in/files/original/c3bc81a13d13f2e5dc43301f70e2a0a9.jpg bfbe7c77ef21dc5f141b75c0b73877ef Oral History A resource containing historical information obtained in interviews with persons having firsthand knowledge. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Story of Arani Subject The topic of the resource From the Secretary’s Desk Description An account of the resource <div style="text-align: justify;">The illustrious Maihar Gharana, founded by the legendary Baba Allauddin Khan, stands as one of the most distinguished schools of Indian classical music. Among his foremost disciples was a visionary whose unparalleled creativity revolutionized the realm of Indian orchestral music and drew international attention to the depth and brilliance of our cultural heritage. This pioneer was none other than my grandfather, Timir Baran, widely revered as the Father of the Indian Orchestra—a maestro whose genius extended far beyond his virtuosity on the sarod.</div> Growing up, I was deeply influenced by the extraordinary stories about my grandfather—tales that came alive through the voice of my father, himself a gifted and celebrated musician. These stories were not mere recollections; they became an integral part of my consciousness. They planted within me a dream, a quiet but powerful determination—to resurrect the lost glory of the Timir Baran Symphony Orchestra. His orchestral innovations, once groundbreaking, had over time faded into the shadows of memory. I took it upon myself to bring them back into the spotlight, to remind the world of the remarkable legacy he had left behind. The road was anything but easy. Yet, despite the odds, I persevered, driven by the belief that the timeless musical creations of Timir Baran still possess the power to move audiences today as they did decades ago. His compositions evoke an era of sublime artistry—when musical expression was at its creative zenith and orchestral harmony became a vessel for spiritual elevation. With unwavering effort and heartfelt passion, I sought support and was eventually able to garner the encouragement of the State Government and the Ministry of Culture, Government of India. Their support culminated in a spectacular orchestral revival—presented on the grand stages of Kala Mandir and Rabindra Sadan. There, in front of enraptured audiences, iconic compositions of Timir Baran—some preserved in the archives of HMV—were brought back to life by the sarod virtuoso Pandit Tejendra Narayan Majumder and a talented ensemble of musicians. Such endeavours, however, are not one-time achievements—they are living, breathing journeys that require ongoing support, vision, and commitment. The revival of Indian orchestral music opens up a universe of possibilities—exciting new experiments with sound, movement, and form. It creates a dynamic confluence between orchestral music and oriental dance, offering the world a unique cultural treasure that is at once classical and contemporary, Indian and universal. My mission is not merely to honour a family legacy—it is to ensure that the heritage of Indian orchestral music is safeguarded, celebrated, and carried forward for future generations. The memory of Timir Baran, the visionary who pioneered this form, must be enshrined in our cultural consciousness—not just as a historical figure, but as a living force whose ideas still resonate. It is with this profound purpose that I founded Arani—an initiative devoted not only to the revival of Indian orchestral traditions but also to the continued promotion of Indian classical music and dance in all its forms. Arani is my tribute, my mission, and my promise: that this sacred journey will continue—undaunted and inspired—no matter how difficult the road may be. https://arani.co.in/files/original/9bbc9e5ede5e6a38b794ab721790b559.jpg dfb3bfdd2cab8bcc8219d1b21f72691f https://arani.co.in/files/original/fdb5524a85fac5dda1bc5076f5b5afd3.jpg 1089a833a3fbcb7650a0628a74d8b236 https://arani.co.in/files/original/c6387938921f53fe3a44b3a92e2a5a59.jpg cfc5a95825194b4f4528a924c2f111c4 https://arani.co.in/files/original/c3b1df5e254264756155d63fbac4a5dc.jpg b270b06e3a19d0d3b6ee34f6055f639c https://arani.co.in/files/original/2c6a21b0d033ed922c130e2710721c35.jpg 1ccb364e20d3f039240bbc5e9608e513 https://arani.co.in/files/original/3fa1fe407c9007851abe6add0fd3aa50.jpg 7199659615974794f844bc1eb38d08f8 https://arani.co.in/files/original/5e785811c4c973758da36ea2861c498d.jpg f2daa54d5f620dbf180a123134e06c95 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pt. Omkar Dadarkar, a renowned exponent of Gwalior gharana, a former student of Pt. Ulhas Kashalkar & Vidushi Girija Devi. https://arani.co.in/files/original/52d1fa58cbce3a5d4b615af5917537f8.jpg ca2273c7cd9650a3f21f18af3296352e https://arani.co.in/files/original/e575edcf0dee938bc5c6f1335586bd7b.jpg 33b0d4eac0a89b89c0f3eac15d60ebeb https://arani.co.in/files/original/6edb9c69999e5da319abb8c6dad5fd7b.jpg c5256fc0fb55f7b4e451225df0b13629 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource A DANCE RECITAL Subject The topic of the resource Kathak performed by Abhimanyu Lal & Vidha Lal of Jaipur Gharana, known to hold a Guinnes World Record for 100 spins in one minute.  https://arani.co.in/files/original/57889a36aed9a72eb2fcfd9e4c55d302.jpg dc66fd9a91d3f797730970d7f53bd2c3 https://arani.co.in/files/original/3bc8186b71426caf6beb36fa88415585.jpg 5f7a51f5039357fba0f0b1a0c9cca39d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Felicitation of Uwe Neuman Subject The topic of the resource Smt Shikha Bhattacharya ( President, Arani) felicitating sitarist Uwe Neuman. https://arani.co.in/files/original/5b731c863c3e4a54ba29857263bb1360.jpg 9d0d5dc502d221dab73a1b2f711c599a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Sitar performance by UWE NEWMAN. Subject The topic of the resource Uwe Newman is a former student of Pt. Indranil Bhattacharya.  https://arani.co.in/files/original/0708087f437ff9271e76e48f5d7a9b34.jpg 671ffa1a9cb55b7a1d1b89539cd9d3b0 https://arani.co.in/files/original/e1217100fe74bfecfde3610ae95da89e.jpg 95defd41180d3ec1cfb038461ce8fd90 https://arani.co.in/files/original/ca62d2a4874166fbb830e810b8923798.jpg 5af0cbf2a815f81d382815dec53fe2a8 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pt. Ronu Majumder & Pt. Tanmoy Bose on stage. https://arani.co.in/files/original/5e652da9501971ccd9ac4e5b5e62595e.jpg 71d70a0e7bc252cc4973b96e7fd53830 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pt. Ronu Majumder & Pt. Tamoy Bose with Ranjani Sarkar & Anindya Sarkar.  Subject The topic of the resource The internationally acclaimed musicians, flautist Pt. Ronu Majumder and Percussionist Pt. Tanmoy Bose having a bonhomie with the organisors of Arani Smt Ranjani Sarkar. https://arani.co.in/files/original/679e3c821520b34f2ae9155ca2bf5217.jpg e52263835e5314e8f9f8d1e5ee0b0c63 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Pt. Ronu Mjumder & Pt. Tanmoy Bose with the former Director of ICCR. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource When Strings Breathe and Silence Listens: A Journey Through Sound and Soul Subject The topic of the resource images of events Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data moments of celebrations Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arani in Reflection: Description An account of the resource This photographic collection, captures moments from the musical tribute to the maestro Pt Indranil Bhattacharya. https://arani.co.in/files/original/273532ebeca9fb89a1ebad2533ae2baf.jpg 1d03947419a22b4189fc6b02c15f3f97 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timir Baran ( left side corner) with the legendary actress & danseuse Sadhana Bose (in the middle) & the renowned film director Madhu Bose. https://arani.co.in/files/original/f5f70f4f240c14fef92a3314e2b8240c.jpg b821f93be3d826d8dfa4871741ffb7af Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timir Baran ( 4rth from left side), with his troupe of musicians in Bangladesh, where he was invited to showcase his  orchestral composition' MUKTIR SANGRAM' in 1971, a musical representation of the freedom struggle of Bangladesh from West Pakistan.. https://arani.co.in/files/original/310fc18a18f87fee46afbdeadeb8f8ac.jpg b9c1248c2ad89459f4e9ffabbf54dfc7 https://arani.co.in/files/original/32cb194cc4c2991af6965aadb0c71526.jpg ae8d2132221d9a82346aa34619d43925 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Still, They Play: A Visual Ode to the Masters Beyond Time Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The echelons of Indian Classical Music. Description An account of the resource This curated collection of still images offers a visual narrative of India’s rich classical music tradition. https://arani.co.in/files/original/d5c00e72bd339d1ea34fa0c10bb4aa88.jpg e910d10dec944ab81d43f193be8a3c00 https://arani.co.in/files/original/66d522d0cf2ab8f88486a27ff7f24fe1.jpg 6da5d9bb987dd5746e0ccd939adebeab Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Indranil Bhattacharya. Description An account of the resource performance pictures https://arani.co.in/files/original/a56e62aa5d44767d927e980f7dc73efd.jpg 80dcf1d6bab60896dafec0278796284f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Arani musical event : 2001- 2020 Description An account of the resource Renowned artist Shuvaprasanna graced the occasion of Indranil Bhattacharya’s album release, adding his distinguished presence to the event. Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource gathering of noted personalities Description An account of the resource An engaging tête-à-tête featuring Shri Jawhar Sircar in conversation with the Consul General of Germany and the Consul General of the United States. https://arani.co.in/files/original/319a58fb20d191ccd203fab5c6df05e1.jpg febcfb718f7c1d6606036348f23ccce6 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Introductory Meeting: Secretary of Arani & U.S. Consul General, Craig L. Hall. Description An account of the resource “An initial introductory dialogue between the Secretary of Arani and the Consul General of the United States, intended to establish rapport and discuss matters of mutual interest.” https://arani.co.in/files/original/9f2a7b540b68be2077f2ecb4dccee431.jpg 7460f7940e1b061cc93fb15812e6e00e Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. URL <iframe width="560" height="315" src="https://www.youtube.com/embed/2gZ5nDs7yCI?si=Mf4QtJWgRfKHr0es" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen></iframe> Original Format The type of object, such as painting, sculpture, paper, photo, and additional data <iframe width="560" height="315" src="https://www.youtube.com/embed/2gZ5nDs7yCI?si=Mf4QtJWgRfKHr0es" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timir Baran Symphony Orchestra [Video] Description An account of the resource Experience the magnificent compositions of Timir Baran, a pioneering maestro who brought a unique blend of Indian classical music and Western orchestral arrangements to life. Performed by a talented symphony orchestra, this concert pays tribute to his visionary artistry, weaving traditional ragas with rich symphonic textures. https://arani.co.in/files/original/8385582ce8c5d0413afcec0f983c4e14.jpg 38ff43bf46f7556d53149ebf78d5387a Moving Image A series of visual representations imparting an impression of motion when shown in succession. Examples include animations, movies, television programs, videos, zoetropes, or visual output from a simulation. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data <iframe width="560" height="315" src="https://www.youtube.com/embed/nG5xqvf5HP8?si=bd0jVxF3bNVIqDEW" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share" referrerpolicy="strict-origin-when-cross-origin" allowfullscreen="allowfullscreen"></iframe> Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Timir Baran Symphony Orchestra: Man Bhanjan [Video] Description An account of the resource TIMIR BARAN SYMPHONY ORCHESTRA MUSIC COMPOSER--- TIMIR BARAN MUSIC CONDUCTOR---- Pt. TEJENDRA NARAYAN MAJUMDER